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Dominated by Brian Eno’s warped genius – his departure shortly afterwards pushed them into the mainstream. Considered the ultimate achievement of recorded music at the time, the gleam has dulled on ‘Pepper’s…’ medals over time, its psychedelic visuals and flower power sentiments turned corny at the edges. The cult success of this sole album released by Tim Buckley’s son during his short life is intrinsically linked to his mysterious premature death. Eight flawless tracks make up Springsteen’s triumphant third album. ‘Tapestry’ is the mother of the reflective records; so comforting, beautifully woven and wise, it would be easy but foolish to forget to thank it for its guidance. Kraftwerk, ‘Trans-Europe Express’ (1977) Kling Klang. Just as the blues musicians derived their rhythms from the rattle of the railroad, so Kraftwerk looked to trains as the carrier for this paean to Mitteleuropean modernity. Cee Lo Green: “Iggy Pop is the ultimate American icon, like the anti-working class hero, this drugged-up rebel kid with too much energy who’s thumbing his nose at the world.
The Smiths, ‘Strangeways Here We Come’ (1987) Rough Trade. Blondie’s third LP ‘Parallel Lines’ is one of the finest pop albums ever made: five of its 12 tracks are deathless classics. Having wrestled creative control of his career from Motown, Wonder was at the peak of his powers as both a performer and songwriter; his transition from child hitmaker to experimental adult artist was complete. Epic in every sense of the word, ‘Daydream Nation’ was hailed as a work of undiluted genius upon its release, age has not withered it a jot. More than thirty years on, there’s still something unknowable and otherworldly about it. The Clash, ‘London Calling’ (1979) CBS/Epic/Legacy. Stephen Street: “The Clash proved you didn’t have to be just a one-trick pony – you could do a little bit of rockabilly, some reggae, or something straightforward, punky and rocky.His fifth album caused shockwaves that were to be felt long after it’s 1965 release, with rowdy tracks like ‘Subterranean Homesick Blues’ and ‘Maggie’s Farm’ a major influence on the folk-rock scene that exploded for the rest of the decade. I fast-forward that bit, “Monday and Tuesday, Wednesday…”.